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I am a Deaf Australian narrative artist, working primarily in oil paint and mixed media. I’m known for my large paintings, heightened contrast, vibrant colours and soft focus. I fell in love with painting and creating after digital design unintentionally became a part of my physical recovery. My artwork is about making people feel seen and capturing the softness amongst the harsh moments. My art isn’t about disability or illness as a spectacle. It’s about presence. About being seen gently, honestly, and without explanation
At seventeen, I experienced a sudden and profound loss of hearing, vision, and physical function, alongside already living with a life altering chronic illnesses from a child, a genetic condition Ehlers-Danlos Syndrome. During my physical recovery, art emerged unexpectedly as both a tool for rehabilitation and a means of expression. I started with digital tracing when I was unable to hold a pen or sign her name on medical documents and consent forms. I gradually built an interest in traditional art mediums and progressed through sketching, charcoal, and eventually paint. Each new medium required me to develop adaptive techniques to what I was learning through online workshops with closed captioning and later through mentorship conducted via Zoom, with professional artist Rachel Dorring. Over time, I established a distinctive process that accommodates my own access needs, creating large-scale mixed-media oil paintings on board occasionally from bed but mainly during short sessions using a wheelchair-accessible easel. Slowly building up guided by my physio i began standing to work on even larger scale pieces such as ‘Everyone Has A Seat At The Table’ (2 metres high by 150cm wide) to help work on my balance and overall leg function. My work is characterised by heightened contrast, vibrant colours. softened focus, and immersive light—visual languages that echo my experience of vision loss, chronic illness, and altered sensory perception.
My paintings unfold slowly, revealing layers of meaning overtime. Stories have always been how I understood the world and myself. Before I was interested in art I’d delve into worlds created within pages of my favourite books. A lot of my artworks begin with a question, ‘If someone couldn’t experience this moment the way I or others do. How could I share the feeling?’. My first solo exhibition Soft Moments in 2025 at Tanks Art Gallery in the Cairns Botanical Gardens, started with that exact question. Having grown up with chronic illnesses from a child I’ve learnt first hand how isolating it can be not matter the age demographic. Soft moments started for two reasons. Reason number one, because I wanted to create art that people could give to their loved ones dealing with illness or disability, a way to say hey I can’t fathom what your going through but I see you. Reason number two, so young people with illness and disabilities grow up seeing themselves as something beautiful and worthy of art.
Everyone Has A Seat At The Table received Best Oil Painting at the Cairns Art Society 78th Annual Awards. Displayed in the Cairns Art Gallery 2026
Fighting Internal Fires received 1st Prize in the Cairns Artists At Work ARTchies Portrait competition 2025.